| definition | |
| The path, real or imagined, that the eye follows when perceiving abrupt differences in form, color, or texture or when objects are aligned in a one-dimensional sequence. Usually evident as the edge of shapes or masses in the landscape. | |
| types | |
Edgethe boundary along which two contrasting areas are related and joined together - - the outline of a two-dimensional shape on the land surface. |
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BUTT EDGE - the simple sharp edge between two contrasting areas.
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| DIGITATE EDGE - the complex indented edge between two interlocking and contrasting areas. | ![]() |
| TRANSITIONAL EDGE - the presence of one or more band(s) connecting two contrasting areas, forming a transitional stage between the two. | ![]() |
| DIFFUSE EDGE - soft edge formed by a gradation between two contrasting areas. | ![]() |
| Band - contrasting linear form with two roughly parallel edges dividing an area in two. | ![]() |
| Silhouette-line - the outline of a mass seen against a backdrop. The skyline is the silhouette-line of the land against the sky. | ![]() |
| subelements | |
| Boldness - the visual strength of a line. Smooth, long and sweeping lines are stronger than lines formed by the overlapping of numerous forms, e.g., treetops; edges between strongly contrasting colors, e.g., skylines are bolder than those between similar colors. | ![]() |
| Complexity - the degree of simplicity or intricacy of a line, determined by the variety of directions it follows: skylines in ruffed terrain are more complex than on flat plains. | ![]() ![]() |
| Orientation - the overall relationship of the line to the (horizontal) axis of the landscape or to compass bearings. | |
| suggested vocabulary | |
| Bold/weak Complex/simple Regular/irregular Soft/hard Straight/curving Broken/continuous Diagonal/horizontal/vertical |
Concave/Convex Angular/subangular Converging/diverging Jagged/rugged/smooth Parallel/perpendicular Undulating/flowing Geometric/circular/semicircular |
| dominance | |
| Bold vertical lines which interrupt the skyline tend to dominate weak horizontal lines. | |
| variable effects | |
| Distance - the strength of a line can decrease with distance due to atmospheric haze. | |
| Atmospheric Conditions - clouds, fog, haze, snow can obliterate skylines. | |
| Lighting - frontlighting flattens form and reduces line strength. Often only the skyline remains evident (e.g., mountain ranges). Sidelighting accentuates the silhouette-lines of separate forms. Backlighting blends together forms of equal distance into one outline. In mountain ranges, the ridgelines delineate overlapping flat silhouettes. | |